P1: Process Rounds
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R1: Search & Findbrainstorming Scout the numerous possible sites you may choose from. Consider using our shared brainstorm to begin. Weigh the site’s pros/cons related to the project’s brief. Is information easy to come by? Is it culturally significant? Are you excited to develop an identity design for it? Reflect on your options, the brief, and choose one. This project spans nearly half of our semester, so it is essential that you care about or are curious about this site. 

Due at start of next class, 1/16:
Share your brainstorming and a chosen site via a shared Google Slides (5 slides, 3 minute). One slide should share your brainstorming. One slide should share the general context of your chosen site and the reasoning for its selection. The final slides should share three initial things that interest you about the site. 


R2: Dialectic Surveys
researching
“Dialectic” is a form of exploratory research focused on developing new insights by exploring multiple viewpoints (multiplicity). It aims to understand a topic by exploring tensions and complexities within a subject rather than a single definitive answer (plurality).  

For this round, you will perform a ‘site survey’ and an ‘identity design survey.’ Efforts should be spent seeking to understand your project’s multiple dimensions; including its physical, political, historical, cultural, and social nature. This research will be used to give reasoning for your designs. Emphasis should be placed on getting to know your site through curiosity-driven research and collecting/analyzing its design landscape during this time. As you gather, take note of connections and contradictions. Be sure to note sources/credits as you go along. 

Due at start of class next Thursday, 1/23:  
Prepare a 5-minute presentation that includes:

    Site Survey:
  • Core Site Details: site name, location, audience, about/mission, etc...
     
  • Physical Qualities: what is the site like; how big, tall, deep, etc... describe its materials; what is it made from?

  • Key Features: what are your site’s unique or identifiable features?

  • Motifs: what motifs exist in/on your site? These could be visual (patterns, colors, textures, etc...), physical/gestures (swipe, spin, drop), or even phenomena (connection, unity,  ceremony).

  • Language: what are the linguistic needs of your site? What languages do locals and visitors speak?

  • Social/Cultural Insights: what are 3-5 core things you learned from the site survey that will be important?

    Identity Survey:
  • Site: Does your site have an existing identity system? If so, visually share it and verbally narrate the pros/cons.

  • Competitor: Find 3-5 ‘competitor’ site identity systems. These should share a significant connection with your site somehow; like in topic, location, and/or audience. Visually share these examples and verbally narrate the pros/cons. If you can, find out who did it (designer, agency, in-house, etc.) and read the case study (if available).

  • Aspirations: Find 3-5 ‘aspirational’ flexible identity systems (static + kinetic examples should be easy to find). Visually share these examples and verbally narrate why you find them successful. If you can, find out who did it (designer, agency, in-house, etc.) and read the case-study (if available).

  • Design insights: what are 3-5 core things you learned from the design survey that will be important?


R3: Type RnD
researching
Using your surveys, insights, and keywords/phrases, you will now prepare a workflow and use rapid aesthetic prototyping as a form of applied research to explore possibilities related to the conceptual direction of your system. During this round, you will use a series of large artboards to collect the following:

1. Document as many typefaces as possible. These selections should have technical and conceptual merit, i.e., cover the scripts needed and/or contribute value to the system’s ‘story.’ I recommend screenshots and a simple organizational/captioning method on a large artboard. Star ones that pique your interest for the project. Install/organize these so they are readily available for your use. I suggest you create a “Collections” in Font Book and/or a “Library” in Adobe to curate an easy-to-use selection for this project. Note: This task might include finding style references if you want to try lettering or make a custom type.

2. Using these curated fonts, roughly and quickly typeset your site’s name using the keywords/phrases you identified in class. No color (yet). Instead, focus your attention on how letterforms can be styled and arranged inside a logotype in response to these keyword/phrases. Work iteratively and avoid editing. Try setting different lengths of the site's name, from initials to full name with location. Note: This task might include a rough sketch if you want to try lettering or make a custom type.

Due at the start of next class, 1/30:
Compile and print a minimum of 25 rough typographic sketches from the described task above. Collate these sketches onto tabloid sized contact sheets and print them. The sketches should be b/w, have ample space around them, and have a small caption identifying the types used and keyword/idea. I recommend: 5 instances per page x 5 pages = 25 instances. 

This should be printed and ready to go before class begins.  


R4: Concept Statement
defining
Using your research as evidence, write a concept statement that describes your intended approach to the concept and/or story of your identity system. 

Due at the end of  class, 1/30:
Be ready to share this 1-3 sentence statement with the class.


R5: Two Directions
Designing
Using your Concept statement as a design guideline, you will now create two directions. The level of finish during this round should be high enough to communicate your two directions visually but not overly polished.  Mirroring a professional workflow, you will prepare a proposal presentation for the end of the round to share with the class and a .pdf you will upload to a shared Drive.


Suggestion of workflow:
Continue to sketch and expand ideas outward. This time, with a focus on alignment with your concept statement. Work iteratively. Begin to explore marks (monogram, logo, icon), logotypes, and stacked logos. Explore alternate type options. Explore color application, motion, etc... 

From this focused continued sketching, use feedback to identify two directions to rough out. For each, it will be essential to test color, stacking, and motion. For motion, it is up to you how you ‘sketch.’ Sometimes, static key-frames will do. Other times, it’s better to do a rough cut in an animation/coding program of your choosing.

Due at the start of class, 2/11:
Prepare a 3-minute Two Design Direction Proposal presentation. I recommend you design this to be formatted for screen-viewing (e.g., 1920 x 1080). An example is provided in our Google Drive.


R6: Final Artwork
refining
Using your feedback, the next ~1.5 weeks is devoted to refining one direction into final form. I recommend you create a file with all final artwork organized on artboards. This document should be annotated regarding the desired artwork application and easy for others to use.

By EOD : R 2/13
Identify a direction and create a schedule for creating the final artwork for following components:

    Static (should have color and greyscale variations)
  • Mark
  • Primary Logo
  • Secondary Logo
  • Stacked Logos
  • Optional Assets (icons, patterns, etc...)

    Kinetic (should have color and greyscale variations)
  • Mark
  • Primary Logo
  • Secondary Logo
  • Stacked Logos
  • Optional Assets (icons, patterns, etc...)


By EOD : R 2/13
Identify a minimum of 5 applications for your identity system. Begin to create final artwork assets and mockups. Work smartly. These application examples should not be made last minute. Instead, you should use them as testing environments. Use linked files so artwork refinements are immediately updated across your application examples.

  Applications* (minimum of 5)
  • 1 Digital (required): e.g. webpage, app, AR/VR, social media campaign, etc...
  • 1 Physical (required): e.g. business card, brochure, booklet, poster, postcard, etc..
  • 1 Large-Scale (required): e.g billboard, mural, etc...
  • Other things to consider: stationary, lanyards, apparel, banners, signage, merchandise, video titles, interstitials, stage graphics, etc...

* Note: For some of these larger examples (book, website, app, etc...) a single page or short sequence  (3-5) will likely suffice to demonstrate your identity's extension.



R 2/20: Suggested by EOD
The artwork and mock-ups of your identity system should be 95% finalized. While you likely will need to refine/tweak over the coming round, and may even choose to do a few more items, you should now focus efforts on the style guide and final presentation.


R7: Final Style Guide + Prezo
producing
Using the materials produced through the process, including your initial research surveys, process, and refinement, create a final style guide that illustrates the context, use, and application of your identity using the guidelines below. It should be a self-explanatory document designed for screen-viewing. I recommend making this in a program that can BOTH present kinetic animations AND export a static PDF. There are a number of examples in our Are.na as well as an annotated PDF template you could base your strucutre off of in our Google Drive. For our final review, You will use this style guide to share your final identity system conversationally. 


Due at for final review, R 2/27:

1. Style Guide:
to be uploaded as a .pdf (10MB or less) and URL Link via Google Form by the start of class
2. Conversational Presentation of Style Guide: 5-minutes

Style Guide should be considered in presentation format and include:
  • Context:  summary of the site, including mission/values
  • Goals: summary of goals (insights from research, brief, feedback)
  • Concept: a concise summary of the approach including keywords/phrases
  • Logo Suite: mark, primary, secondary, stacked, kinetic options, color options, usage, rules, examples
  • Typography: overview, styles & weights, hierarchy, color, usage, examples
  • Color: overview,  hierarchy, details, usage, examples
  • Image & Other Assets: image treatment guidelines, styling, iconography, etc...
  • Assets: overview, usage, rules, digital examples, physical examples, additional examples
  • Summary: single-page visual summary of identity system